Organization
Faculty of Arts and Literature Department of Arts Professor
KIMURA Tatsuya
Degree
-
修士（文学） ( 1994.3 東京大学 )
Research Areas
-
Humanities & Social Sciences / Aesthetics and art studies
Educational Background
-
The University of Tokyo 人文社会系研究科 基礎文化研究専攻美学芸術学専門
1994.4 - 1999.3
Country： Japan
Primary Subjects (Course) in charge
-
ゼミナール〈映画学〉、映画学演習a/b、映画学一般講義a/b、美学・芸術学入門a/b
Papers
-
Making Appear Emotions, which may or may not exist: How Ryusuke Hamaguchi established himself as an auteur Invited
KIMURA, Tatsuya
Eureka 50 ( 12 ) 147 - 153 2018.9
-
The Greatness and the Decadence of Not a Small Movie, Shin-Godzilla
( 2016年12月増刊 ) 161 - 170 2016.12
-
ヒッチコック『見知らぬ乗客』における欲望／罪の移動の視覚化——深夜の密談のシーンの分析を中心に（３）
木村建哉
『成城文藝』 ( 223 ) 124(1) - 109(16) 2013.6
-
Visualization of the Transfer of a Desire/Sin in Hitchcock's #IStrangers on a Train#IR (2) Reviewed
KIMURA Tatsuya
#IThe Seijo University Arts and Literature Quarterly#IR, Faculty of Arts and Literature, Seijo University ( 通巻222 ) 102(1) - 87(16) 2013.3
-
The Ways of Starting Musical Numbers in Classical Hollywood Musicals: Taking Up #ISingin' in the Rain#IR (1952) as a typical example Invited
KIMURA Tatsuya
#IAesthetics And Art History#IR, Graduate School of Literature, Seijo University ( 通巻第20 ) 203 - 231 2013.3
-
Visualization of the Transfer of a Desire/Sin in Hitchcock's #IStrangers on a Train#IR (1) Reviewed
KIMURA Tatsuya
#IThe Seijo University Arts and Literature Quarterly#IR, Faculty of Arts and Literature, Seijo University ( 通巻第221 ) 115(44) - 99(60) 2012.12
-
"Unnatural "Naturalness" in Classical Hollywood Cinema: In a Case of the First Scene of Hitchcock's #IRear Window#IR Reviewed
KIMURA Tatsuya
#IThe Seijo University Arts and Literature Quarterly#IR, Faculty of Arts and Literature, Seijo University ( 通巻第220 ) 73(14) - 52(35) 2012.9
-
Parents, Children, and Orphans: Shinji Somai's Dramaturgy
KIMURA Tatsuya
#IShinji Somai : A Film Director in the Japanese Post-Studio Era#IR, ed. by KIMURA Tatsuya, NAKAMURA Hideyuki, FUJII Jinshi, Inscript 102 - 131 2011.9
-
""Movements of the World" in Musical Movies: New Understanding of Hollywood Musicals in Deleuze's #ICinema#IR
KIMURA Tatsuya
#IDeleuze and/or Felix Guattari 427 - 461 2008.1
-
Gilles Deleuze on Cinema: Duality and Unity of the Cinematographic Image
KIMURA Tatsuya
#IThe Great Book of Aesthetics#IR (CD-ROM), The Organizing Committee of the XVth International Congress of Aesthetics in Japan 000 - 000 2003.10
-
Self-reflection in Movies: Gilles Deleuze on "Cristal-image" Reviewed
KIMURA Tatsuya
#IIconics#IR ( 通巻第66 ) 75 - 88 2001.5
-
現実的なものと想像的なもの──「古典的」な映画から「現代的」な映画へ、そして… Invited
木村 建哉
日本映像学会『映像学』 ( 通巻第57 ) 50 - 64 1996.11
-
ドゥルーズ『シネマ』の全体像
木村 建哉
『ユリイカ』青土社 28 ( 10 ) 66 - 96 1996.10
-
Gilles Deleuze on Cinema: Duality and Unity of Cinematographic Image Reviewed
KIMURA Tatsuya
#IAesthetics#IR, Japanese Society for Aesthetics 46 ( 3 ) 12 - 22 1995.12
-
「ニュー・メディア」と映像の基本的性格の変化
木村 建哉
『第１回全国学生交流フォーラム論文集』、慶應義塾大学文学研究科美学美術史学研究室 33 - 39 1995.3